A Quantum of Solace - Molecular Electronics of Benzodiazepines (Google Workshop on Quantum Biology)

!±8± A Quantum of Solace - Molecular Electronics of Benzodiazepines (Google Workshop on Quantum Biology)

Google Workshop on Quantum Biology A Quantum of Solace: Molecular Electronics of Benzodiazepines Presented by Luca Turin October 22, 2010 ABSTRACT Benzodiazepines and related drugs modulate the activity of GABA-A receptors, the main inhibitory receptor of the central nervous system. The prevailing view is that these drugs bind at the interface between two receptor subunits and allosterically modulate the response to GABA. In this talk I shall present evidence that benzodiazepines work instead by facilitating electron transport from the cytoplasm to a crucial redox-sensitive group in the gamma subunit. If this idea is correct, benzodiazepines should not only be regarded as keys fitting into a lock, but also as one-electron chemical field-effect transistors fitting into an electronic circuit. About the speaker: en.wikipedia.org

A Quantum of Solace - Molecular Electronics of Benzodiazepines (Google Workshop on Quantum Biology)

Lite Source Floor Lamp Compare Shop Korg D1600

Lec 13 | MIT 3.091 Introduction to Solid State Chemistry

!±8± Lec 13 | MIT 3.091 Introduction to Solid State Chemistry

Intrinsic and Extrinsic Semiconductors, Doping, Compound Semiconductors, Molten Semiconductors View the complete course at: ocw.mit.edu License: Creative Commons BY-NC-SA More information at ocw.mit.edu More courses at ocw.mit.edu

Lec 13 | MIT 3.091 Introduction to Solid State Chemistry

Diversion Safe Save Good Bargain Hoover Bh50010 Suncast Hosemobile Get It Now!

Part 2 - Babbitt by Sinclair Lewis (Chs 06-09)

!±8± Part 2 - Babbitt by Sinclair Lewis (Chs 06-09)

Part 2. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Mike Vendetti. Playlist for Babbitt by Sinclair Lewis: www.youtube.com

Part 2 - Babbitt by Sinclair Lewis (Chs 06-09)

Yamaha Keyboards P85 Guide Used 9595 Braun

DEWALT DW713 10-Inch Compound Miter Saw

!±8± DEWALT DW713 10-Inch Compound Miter Saw

Rate : | Price : Too low to display | Post Date : Dec 01, 2011 06:17:05
Usually ships in 24 hours

Whether you're cutting baseboards or crown molding, the DEWALT 10-Inch Single-Bevel Compound Miter Saw provides quick, accurate cuts to complete the job. Thanks to a powerful motor, an easy-to-adjust cam-lock miter handle, convenient miter and bevel stops, and a tall fence for oversized decorative moldings, this compound miter saw is ready for a range of crosscutting and miter-cutting applications. In addition, it comes with a durable carbide blade, a blade wrench, and a convenient dust bag.

10-Inch Single Bevel Miter Saw At a Glance: Powerful 15 amp motor delivers no-load speed of 5,000 rpm Adjustable stainless steel miter detent plate with 11 positive stops Positive bevel stops at 0 and 45 degrees for versatility Tall, sliding fence for cutting crown and base moldings Three-year limited warranty, one-year free service, and 90-day money-back guarantee

This DEWALT Miter Saw has a dependable 15 amp motor that delivers a no-load speed of 5,000 rpm. View larger.

Powerful carbide blade is ideal for cutting baseboards and crown molding. View larger.

Smart, Powerful Design for Quick, Accurate Cuts
The DEWALT single-bevel sliding compound miter saw's 10-inch blade is backed by a powerful and dependable 15 amp motor. Offering a no-load speed of 5,000 rpm, it makes quick work of cutting framing or molding, as well as other crosscutting and miter-cutting jobs.

This sturdy saw is designed to deliver precise cuts and allow versatile setups required for miter applications. The precise miter system's adjustable stainless steel miter detent plate features 11 positive stops for easy setup and improved efficiency. An easy-to-adjust cam-lock miter handle delivers quick and accurate miter angles, and features a convenient detent override, which allows you to adjust the miter setting without the saw slipping into the miter detents. And the saw's big miter capacity-- 0 to 50 degrees to the left and the right--adds versatility.

In addition, a tall fence supports 4-1/2-inch crown molding nested vertically, as well as 6-inch base molding set vertically against the fence. The fence slides out of the way easily when it's time to make bevel cuts.

Increased Bezel Capacity and Convenient Stops
This saw is designed to deliver quick, accurate bevel cuts. You can easily set up for bevel cuts that measure between 0 and 48 degrees to the left and bevel cuts that measure between 0 degrees and 3 degrees to the right. This handy setup provides increased capacity for big jobs. Plus, with positive bevel stops at 0 and 45 and degrees, this saw makes finding and setting the most common bevel angles a quick and easy process.

Ideal for a range of applications, the saw can deliver clean, 45-degree bevel cuts through dimensional lumber that measures up to 2 by 6 inches.

Portable and Compatible with the DEWALT Laser and L.E.D. Systems
This lightweight compound miter saw weighs just 35 pounds and features a built-in carry handle, so you can move it around the jobsite easily and lift it comfortably when it comes time to stow the saw at the end of the day.

For additional accuracy and ease of use, this saw is compatible with the DEWALT DWS7085 L.E.D. (sold separately) work light and cut line indicator or the DW7187 (sold separately) adjustable miter saw laser system. Both accessories ensure the cutting path is clear to see.

This 10-inch single-bevel compound miter saw comes with a DEWALT warranty package that includes a three-year limited warranty, a one-year free service contract, and a 90-day money-back guarantee.

What's in the Box
DW713 DEWALT 10-Inch Single-Bevel Compound Miter Saw, one carbide blade, blade wrench, and dust bag.

The DEWALT 10-Inch Single-Bevel Compound Miter Saw weighs just 35 pounds and is easy to maneuver around worksites.

• DEWALT DWS7085 Miter-Saw LED Work Light System
• Freud D1080X Diablo 10-Inch 80-tooth ATB Finish Saw Blade with 5/8-Inch Arbor and PermaShield Coating
• DEWALT DW3106P5 2 Blade 10-Inch 60-Tooth Crosscutting Saw Blade and 10-Inch 32-Tooth General Purpose Saw Blade Combo Pack
• DEWALT DW745 10-Inch Compact Job-Site Table Saw with 16-Inch Max Rip Capacity
• DEWALT DWX723 Heavy Duty Miter Saw Stand

Discount Kinky Straight Weave Hair Black Decker Storage Cabinets For Sale Best Prices Kitchenaid 5 Speed Hand Mixer

Makita LS1216L 12" Dual Slide Compound Miter Saw with Laser @ WholesalePowerTools.com

!±8± Makita LS1216L 12" Dual Slide Compound Miter Saw with Laser @ WholesalePowerTools.com

www.WholesalePowerTools.com FEATURES *Large cutting capacity for up to 8" crown molding (nested), 6-1/2" baseboard (vertical), and 15" crosscut at 90°. *Compact design with a patented 4-Steel Rail Sliding System further increases rigidity to produce superior cuts. *Exclusive 6 linear ball bearings engineered to deliver smooth, solid, and adjustment-free "dead-on" accurate cuts. *Exclusive 5-1/2" tall dual sliding fence system features versatile upper and lower fence adjustments for more precise miter and bevel cuts. *Patented retractable rear guard and triple gear system for increased vertical cutting capacity. *Miters 0°- 52° left and 0° - 60° right, with positive stops at 0°, 15°, 22.5°, 31.6° and 45° (left and right). *Bevels 0° - 45° (left and right) with positive stops at 0°, 22.5°, 33.9° and 45° (left and right). *Dual rear-handle bevel lock is easily accessible, with front and top facing scales for more precise bevel adjustments. *Independent laser indicates line-of-cut whether blade is turning or not, with on-off switch and micro-adjustments for precise "left-of-blade" or "right-of-blade" cutting. *Electronic Speed Control maintains constant speed under load for smoother, higher quality cutting. *Powerful 15 AMP direct drive motor requires less maintenance, and delivers. 3200 RPMs with soft start for smoother power-ups. *Easy one-touch miter lock for accurate adjustments and increased efficiency. *Replaceable stainless steel miter scale features easy-to-read ...

Makita LS1216L 12" Dual Slide Compound Miter Saw with Laser @ WholesalePowerTools.com

Saved Drip Irrigation Pressure Regulators

Lec 11 | MIT 5.111 Principles of Chemical Science, Fall 2008

!±8± Lec 11 | MIT 5.111 Principles of Chemical Science, Fall 2008

Lecture 11: Lewis structures License: Creative Commons BY-NC-SA More information at ocw.mit.edu More courses at ocw.mit.edu

Lec 11 | MIT 5.111 Principles of Chemical Science, Fall 2008

Hvlp Wagner Buy Bose Cinemate Series Ii Home Theatre Speaker System Clearance Sale

Hitachi C12RSH 15 Amp 12-Inch Sliding Compound Miter Saw with Laser

!±8± Hitachi C12RSH 15 Amp 12-Inch Sliding Compound Miter Saw with Laser

Rate : | Price : $478.00 | Post Date : Nov 08, 2011 05:45:21
Usually ships in 24 hours

C12RSH Size: 12" The C10FSH 10'' Sliding Dual Compound Miter saw is equipped with a high fence to support the work piece for stable cutting and a laser marker for precision cuts. Positive stoppers adjust the turn table position for easy miter cutting. The C10FSH cuts various types of wood, plywood, decorative panels, soft fiberboard, hard board and aluminum sashes. Features: -Unique, adjustable laser marker, for precise cutting lines easily adjustable to users preference. -12 Amp motor, intense power for the toughest cutting jobs. -57 miter angle, to the right for ultra flexibility with 45 miter angle to the left. -45 bevel angle range, to the right and left allowing users to quickly and easily flip the saw blade and leave the material in place. -Positive stops on miter and bevel scale, for easy to read measurements and quick settings. -Linear ball bearing slide system, for superior accuracy and control. -Electronic speed control, maintains RPM while cutting and improves control. -Electronic soft start feature, suppresses sound pressure and recoil during start-up for smooth operation. -Adjustable pivot fence, broadly supports work piece for improved stability while cutting. -Electric brake feature, halts the rotation of the blade within seconds preventing unintended cuts. -Patented chip deflector, fully adjustable to prevent tear-out, align cutting line or for zero clearance support. -Carbon brush access, allows user to replace brush as needed to greatly prolong the life of the tool. -Dust collector attachment, minimizes airborne particles. -Splinter guard, prevents material from splintering and increases safety. -Compatible with the UU610 Universal Work Station. -Download Sliding Compound Miter Saw Brochure. -View the miter saw Miter and Bevel Capacities Chart. -Available in 10'', 12''. Includes: -Box Wrench. -Dust Bag. Specifications

• Hitachi 726101 12-Inch 90-tooth ATB Crosscutting Saw Blade with 1-Inch Arbor
• Hitachi UU610 Universal Miter Saw Stand
• GoodYear 045 3/8-Inch-by-50-Feet Safety Yellow Rubber Hose 3/8 -Inch by 50-Feet 250 PSI With 1/4-Inch Ends
• Hitachi NT50AE2 18-Gauge 5/8-Inch to 2-Inch Brad Nailer
• Bosch TS1007 Dado Insert

Buyers Safety 1st Bathtub Seat Swiss Legend Karamica Cheap

Hitachi saw cut

!±8± Hitachi saw cut

I work as a professional contractor. In past years I was connected with various saws and to be honest - what I like most is definitely Hitachi 10-inch sliding one.

Company Hitachi has built many high quality products so this has been very durable and reliable as well. Quality and range of features make this instrument's number one in its price class. In this article I will try to detailed descriptions of all the useful features make thisHigh quality chop saw!

First, there is an electric brake. By reversing the flow of electricity, the blade stops immediately. This is very useful if something goes wrong, because the blades tend to be very strong. In this way, the blade stops in less than a second.

Then there are the electronic speed control. This software electronically controls the speed of the blade and ensures a constant speed from start to finish the cut. This function returnsIncrease control on the piece.

In addition, there are also new means of transmission - Poly-V belt drive. It 'much better than conventional gear, as it reduces the recoil during startup.

There are also adjustable fence line pin and ball bearing sliding system in case of need to increase the capacity or cuts deeper 12-13 cm. For the precision and accuracy, is equipped with a laser system. Normally it works properly out of the box. However, if there isneed some changes - and can easily be read without the manual will be made in minutes. And then you can be perfectly accurate cuts.

All these features in a chop saw a really good sound, is not it? Combined with quality materials and have the best tool on the market!

Hitachi saw cut

Urban Rebounders Fast Brand New Body Shop Body Butters

!±8± Freud PB-107B Precision Shear 7 Piece 1/4 Inch to 1-Inch Serrated Edge Forstner Bit Assortment

Brand : Freud | Rate : | Price : $50.25
Post Date : Oct 18, 2011 07:30:06 | Usually ships in 24 hours

Freud PB-107B Precision Shear 7 Piece 1/4 Inch to 1-Inch Serrated Edge Forstner Bit Assortment

• Razor sharp serated edge for fast and flawless cutting
• Hardened Steel Body for longer life
• Ultra Sharp Spur to ensure an accruate starting hole
• Steep Angles Cutting Edge to produce "chisel-like curls"
• Quality Forged Construction for extended life

More Specification..!!

Freud PB-107B Precision Shear 7 Piece 1/4 Inch to 1-Inch Serrated Edge Forstner Bit Assortment

Purchase Gas Charcoal Grill

Bosch GCM12SD - Brilliant Design, Super Saw, Reasonable Price

!±8± Bosch GCM12SD - Brilliant Design, Super Saw, Reasonable Price

Every once in a while a manufacturer will come up with a real engineering innovation. Bosch, a company with a strong reputation for ingenious design have done it again with the Bosch GCM12SD 12 Inch Axial Glide Dual Bevel Miter Saw. They have completely redesigned the sliding miter saw in the Axial Glide Saw. In fact it doesn't slide at all. It's robust, robotic looking arm carries the blade smoothly and with great accuracy. Sensibly priced by Bosch, there are also some good deals around. Read on to find out more.

All sliding miter saws have a major weakness-the rails on which the motor and blade assembly is mounted. The rails are vulnerable to damage, wear and exposure to sawdust and resins. Recalibration is a chore and accuracy and consistency can be a problem. Aside from these flaws rails also take up a lot of space at the back of the saw. So to accommodate a sliding miter saw you need extra space available at the back of the saw. In the workshop, material supports also have to be installed away from the wall too. This wastes a massive amount of valuable space.

Why is the Bosch Axial Glide So Much Better Than Sliding Miter Saws?

1.Space Saving

Bosch have removed the slide rails completely and replaced them with a hinged arm. This extends to move forward and folds to move backwards. At no point does it protrude from the back of the machine, allowing the saw to be placed within an inch of a back wall. As you can imagine this allows the Bosch Axial Glide Miter Saw to be set up in places where previously it was impossible to fit a sliding miter saw. For example an alcove,cupboard or narrow hallway. In the workshop space savings can be truly liberating.

2.Durable

The Bosch looks very different from what you'd expect of a miter saw. The axial-glide system is actually two arms,set opposed 90 degrees to one other. They are coupled together and work in unison as a single unit. The hinged joints supported by 12 ball bearings and the entire arm is designed for heavy duty operation, and cast from aluminum. Such a design is not entirely new and similar setups have been used in suspension systems where durability is needed. The precision,sealed ball bearings won't stick or get gummed up like a rail and will suffer far less wear and tear.

3.Accurate

The opposing arms and precision bearings means there virtually no play in the axial glide arm as the saw makes a cut. Even when making compound cuts the blade always stays central in the kerf and movement is consistent and accurate every time.

4.Smooth

No other saw feels like this one. In use it moves with liquid smoothness without hardly any effort from the user. Conventional sliding saws seem gritty and uneven after this. This big 15 amp motor helps here too and nothing I cut ever slowed it down. Some users prefer a bit more "feel". To this end bosch have included a damper to increase resistance.

5. Extended Capacity

It's a pleasant surprize that the Bosch GCM12SD actually has a greater cutting capacity than the previous 12-inch model from Bosch. It increases horizontal cutting capacity by 2 inches, now a huge 14 inches. Vertical capacities are slightly increased too.

6.Full Featured

Here's a quick list of the main features of this saw, many of which are found on other Bosch saws but a few are new.

Best in class dust extraction:Split square-lock quick release fences:Upfront controls including bevel adjustment: 10 Adjustable Detent stops:Detent override:Clear etched scales:Biggest in class, bulit in material extension supports:Comfortable ambidextrous handle and trigger.

How to Get The Best Price for the Bosch GCM12SD

One way to get the best deal is to check out all the online retailers for the best price. Don't forget to check customer reviews for customer service and to know who's going to ship out in a reasonable period of time and who's going to take care of you if you have a problem with shipping damage.

You could spend a lot of time doing this or you could let someone else do the work for you.

Bosch GCM12SD - Brilliant Design, Super Saw, Reasonable Price

Good Bargain Baby Boon Urban Rebounders Fast Best Prices G2 Surefire

HItachi C 121LSH 12" Sliding Compound Miter Saw

!±8± HItachi C 121LSH 12" Sliding Compound Miter Saw

NewWoodworker.com a video review showing the ownership and use of this innovative and space-saving design SCMS.

HItachi C 121LSH 12" Sliding Compound Miter Saw

Buyers Coby Music Player Discounted Copper Pans Cooking

How Do I Prepare a Bathroom For Tile Installation?

!±8± How Do I Prepare a Bathroom For Tile Installation?

Throughout a series of articles, I am going through the steps involved for remodeling a bathroom. In this article, we are going to discuss the preparation process after the bathroom demolition is complete.

What do you do now? I outlined the steps involved for tile installation.

Step 1:

· Clean the bathroom.

o Remove any screws or nails in the wall that are exposed.

o Vacuum the floor to remove any construction debris left from the demolition.

o Check exposed framing for any water damage or rotting wood. Repair any framing as needed.

o Check exposed framing for plumbness. Any framing out of square will affect the tile and or bathtub. Repair any framing as needed.

Step 2:

· Install bathtub.

o Slide the bathtub into place; be sure to check that the bathtub is level. Use plastic shims to level the bathtub, if needed. Once the bathtub is level, mark the top of the nailing flange.

o Remove the bathtub and install 2x4 ledger boards to the wall studs. The bathtub will rest on the ledger boards once the bathtub is in place.

o Some bathtubs need to be set in thin set to help support the bottom. Mix the thin set as you would for tile and apply a solid base where the bathtub will be placed. Be sure to read and follow the manufacturer's recommendation for installing your bathtub.

o Make sure the tub is still level when placed on the ledger board and on the thin set, if needed. If the bathtub is not level, adjust the ledger boards and thin set as necessary.

o Connect the drain pipes and overflow valve.

o Connect the nailing flange to the framing studs. Follow the manufacturer's recommendations.

Step 3:

· Prepare shower surround for tile.

o The framing studs should be exposed where the tile is going to be installed in the shower. Any necessary framing repair should be completed.

o Vacuum the bathtub out as necessary to remove any construction debris.

o Protect the bathtub with drop cloths.

o Create a vapor barrier between the framing studs and backer boards. You can use asphalt felt roofing paper, or plastic sheathing as a vapor barrier. Attach the felt paper to the framing studs with staples. Overlap the felt paper 6 to 8 inches vertically and 2 to 4 inches horizontally.

o Allow the felt paper to overlap the nailing flange on the bathtub.

o Apply a bead of silicone sealant on the bathtub nailing flange and between the felt paper.

o Push the felt paper to the sealant on the nailing flange to create an airtight seal.

o Pre-cut the cement backer boards to fit around the tub surround. Allow the backer board to sit ¼ inch off the bathtub deck.

o Measure and mark for the pipes that need to be cut out. Drill the holes using a carbide hole saw. Drill the holes a ¼ inch wider than the pipes.

o Screw the backer boards to the studs with corrosion resistant screws as per the manufacturer's recommendations.

o Tape the joints with seam tape made for backer boards. This tape can be bought at your local building supply store. It is usually located in the drywall supply section or tile section and is labeled for cement backer boards. Follow the manufacturer's recommendation for mixing the thinset mortar.

o Apply mortar over the tape and let dry for 24 hours.

Step 4:

· Prepare floor for tile.

o Pre-cut the cement backer boards to fit the floor layout.

o Dry fit the backer boards to ensure they will fit properly. Leave a 1/8 inch gap between backer boards and 1/4 inch gap between the walls and bathtub.

o Remove the backer boards.

o Install a thin layer of mortar (approximately 1/8 of an inch thick) with a notched trowel onto the subfloor. Firmly press the backer boards onto the thin set. Follow the manufacturer's recommendation for mixing the mortar.

o Start on the inside of the room and work your way out. Only spread enough thinset mortar on the floor for the size of the backer board you are laying down. Keep the backer board in as large sections as possible.

o Screw the backer board to the subfloor with corrosion resistant screws as per the manufacturer's recommendations.

o Tape the joints with seam tape made for backer boards.

o Apply thin set mortar over the tape and let dry for 24 hours.

Step 5:

· Prime and paint the walls and ceiling.

o Repair any drywall damage with joint compound.

o Prime both ceiling and the walls.

o Paint ceiling and the walls.

o I prefer to paint at this point because I do not have to worry about getting paint on newly set tile. You also have the option to paint at some point later in the remodel.

Now you are ready to set your tile. The bathroom remodel at this stage is about half way complete.

Check and double check to make sure everything is done correctly! If at any point you are not comfortable, take a step back and higher the proper professional. Always follow the local and national building codes.

How Do I Prepare a Bathroom For Tile Installation?

Cheaper Steam Cleaner Vs Carpet Cleaner Buying Ceramic Sinks Kitchen

Best Foot Forward - Fixed Poetic Meters in the Renaissance Age

!±8± Best Foot Forward - Fixed Poetic Meters in the Renaissance Age

So he slept through the poetry section of the upper class English school and pay someone like me to write a sonnet for you, but now that you're in the SCA, you are moved to create poetry. All is not lost. One of the things you love to read, is that there are many examples of contemporary poetry, that does not really rhyme. Rhyming poetry seems in vogue in the English language in the late 14 Century has arrived, William Langland's Piers Plowman's vision, published about 1360isn't rhymed, but Chaucer's Canterbury Tales published about 20 years later, is. Much of Shakespeare's work is unrhymed. The poetic feature you cannot duck, however, is rhythm.

Whatever other hallmarks a culture's poetry might have, be it rhyme, alliteration, or fixed structure, they all have rhythm. Rhythm in speech or poetry is created because we don't place the same emphasis on every syllable we speak. We stress, or emphasize, certain syllables, while other syllables remain unstressed, or de-emphasized. A lot of earlier poetic forms tended to ignore the placement of unstressed syllables in any line and only dealt with the stresses per line. Piers Plowman begins [1, 2]:

In a somer seson, whan softe was the sonne,

I shoop me into shroudes as I a sheep were,

In habite as an heremite unholy of werkes,

Wente wide in this world wondres to here.

Though there are a varying number of unstressed syllables (placed haphazardly), there are consistently four stresses per line:

In a somer seson, whan softe was the sonne,

I shoop me into shroudes as I a sheep were,

In habite as an heremite unholy of werkes,

Wente wide in this world wondres to here.

The stressed syllables also show alliteration, i.e., they begin with the same sound. Rather than rhyming the end of his lines, Langland "rhymed" the initial sounds of his stressed syllables; in this quatrain (four lines of poetry), he used only s, sh, h, and w for 16 stresses. The rhythm here is created by a regular pattern of stressed syllables.

Chaucer was a man ahead of his time. Whether Chaucer felt limited by the demands of alliteration, or whether he simply liked the sound of the more rhythmically fixed lines he was reading in foreign poetry, he chose to write in a style totally unlike Langland's (and most earlier) work. This style quickly became the English standard [2, 3]:

Whilom, as olde stories tellen us,

Ther was a duc that highte Theseus;

From atthe was lord and governor.

And in his tyme swich a conquerour.

Chaucer has a rhythm even stronger, unstressed and stressed syllables from a repeating pattern. It is a style known as a fixed meter. This special instrument called iambic pentameter, accented with 10 syllables per line and five equally spaced. This instrument was recorded in English poetry up to 1600 and beyond. But they are (upset) before jumping. First, we musttalk about the revolutionary shift from stress-based verse to lines of a fixed meter, and to do that, we need to take off our shoes.

The basic unit of any fixed meter is called the foot. If you think about it, footsteps, especially marching steps, seem to naturally drive us into a set rhythm, as in, "Left, left, left-right-left!" (Notice no one thinks that they're meant to hop on their left foot; they understand that the right step is simply unstressed.) Our journey into the wonderful world of feet begins with a single step, and indeed a single syllable, namely the...

Monosyllabic foot: one stressed syllable, like "day." Usually, this foot occurs as an oddball in a line of a different meter, because as you can imagine it's pretty artistically limiting. Here's a line of monosyllabic tetrameter (tetra from the Greek for "four", so a line of four monosyllabic feet):

Go. Seek. Find. Kill.

Not much to work with. I can't think of a period example of monosyllabic foot poetry.

Most poetic feet contain more than one syllable, so a line will have more syllables than feet. It's important to start thinking about feet rather than syllables, because the type of foot forms the rhythm. Lines composed of two-syllable feet are sometimes called "duple meter." A line with four two-syllable feet will have 4x2=8, yes, eight syllables. There are four types of two-syllable feet:

Iamb: one unstressed syllable followed by one stressed syllable, like "today" and "before." If you never know or understand any foot but the iamb, it won't matter a darn. Iambic meter is the natural cadence of both English and French, so you'll find that overwhelmingly most period English and French poetry is iambic. If you're wondering what kind of word "iamb" is, it's Greek, like most poetic terms. If you're feeling like all these terms are too high-brow for you, you should know that Iambe was famous in Greek mythology for entertaining Demeter with bawdy stories, so instead of thinking about High School poetry class, think of what a saucy wench Iambe was and you'll feel better.

People often doubt that they speak in iambic meter most of the time, because they've been taught that Shakespeare wrote in iambic meter, and they know they don't talk that way. Oh, but you do. We hate having too many stressed syllables in a row. Why do you think nobody in folk music ever rides a white horse, but a milk-white horse? "White horse" is two stressed syllables and sounds jerky to us, but "a milk-white horse" alternates stressed and unstressed syllables and flows more musically to our ears. Most English words of more than one syllable alternate stressed and unstressed syllables; the few words that have multiple stressed syllables together are typically compound words, or words made by sticking two smaller words together, like "handcuff" and "football."

Once you've identified the type of foot, like iambic, the name of the meter does nothing more than tell you how many feet are in each line (it just tells you in Greek). Here are the lines you're likely to run into, all illustrated in iambic feet:

1, Monometer: A horse! (One foot, two syllables, da-DUM)

2, Dimeter: A loaf of bread. (Two feet, four syllables, da-DUM da-DUM)

3, Trimeter: I need my coffee, please.

4, Tetrameter: My hovercraft is full of eels.

5, Pentameter: I think he went to Wal-Mart on his break.

6, Hexameter: But then he came back home and went to bed and slept.

7, Heptameter: You'd think that I'd have something more important to relate.

Okay, I had to use "relate" rather than "say" to preserve the meter, but you can see how little tweaking must be done to normal speech to even out the rhythm. You should be able to spot the iambic feet in those lines (just break the lines into two-syllable chunks and note that each chunk sounds roughly like da-DUM). Obviously, in normal speech, we don't make quite as much distinction between stressed and unstressed syllables, and the longer the statement, the less distinct we get. Look at the natural stress in this line (here bold indicates a stressed syllable):

I need my coffee, please.

Without hearing it first, you'd naturally read this written line as three iambs, da-DUM da-DUM da-DUM. Now, you COULD say it like this:

I need my coffee, please.

DUM da-da-DUM da-DUM. But you'd recognize it as unusual, and realize that I was trying to emphasize the word "I", namely that I need my coffee more than the next person (probably true!). The longer a line gets, and the longer the words get, the more likely you'll have a syllable that should be stressed but isn't, or vice versa. If I'm speaking formally, I can read this line as follows:

I think he went to Wal-Mart on his break

But given no direction, you're just as likely to say it:

I think he went to Wal-Mart on his break.

This is not necessarily a bad thing. Poetry that never deviates from the pure meter often sounds like a second-grader wrote it:

I think that I shall never see

A snail that wants to climb a tree

He might fall down and bump his head

Or take so long he'd still be dead.

Period poetry is lousy with variations from the pure meter, but it's done consciously, for emphasis or effect. Most of Shakespeare's plays are iambic pentameter, unrhymed, so the lines should sound like da-DUM da-DUM da-DUM da-DUM da-DUM. But look:

Now is the winter of our discontent

Made glor'ious summer by this son of York.

Whoa! Four real iambs out of ten chances! But this is an opening line, and it's meant to have tremendous punch. So it does. To an ear expecting regular iambic, this feels like somebody stripped the clutch. And that's my cue to introduce another scary term: scansion. Scansion describes how well the poet stuck to the meter. If a line "doesn't scan" it means there is noticeable deviation from the expected rhythm, and without an obvious reason, like Shakespeare's emphasis above. Here are two ten-syllable lines:

The night was cold, and darkness filled the sky

John jumped on the bed, and Susan said, "Hey!"

The first line scans perfectly in iambic pentameter, the second doesn't, which is why the first sounds rhythmic and poetic and the second doesn't. Bad poets can't even count to ten (or whatever syllable count is appropriate to the line), so they often drop syllables or throw in extras. Middling poets can usually count to ten, but they just can't perceive the difference between a line that scans and one that doesn't, so their poems end up sounding like prose that happens to have lines of the same length. Just because you have 10 syllables per line does NOT mean you have iambic pentameter. It's all about RHYTHM.

Really strong deviations from meter are often used in modern poems for comic effect. Consider these two limericks:

There was a young man of Japan,

Whose limericks never would scan.

When they said it was so,

He replied, "Yes, I know -

"But I always try to get as many words into the last line as ever I possibly can!"

and

A decrepit old gas man named Peter

While hunting around for the meter

Touched a leak with his light

He arose out of sight

And, as anyone can see by reading this, he also destroyed the meter.

You know the rhythm you expect in the last line of a limerick, and the unexpected quality of a line that varies wildly from that expected rhythm gets your attention. Again, I can't think of a period example of this type of deviation, so save it for your open mic poetry.

Besides iambic pentameter, other common meters in period poetry include iambic tetrameter, as in the Agincourt Carol (ca. 1415) [4]:

Owre kynge went forth to Normandy,

With grace and myyt of chivalry;

The God for hym wrouyt marvelously,

Wherefore Calle Englonde can cry, and

and "iambic tetrameter alternating trimeter and" also known as "ballad meter", as in The Battle of Otterburn (1550, spelling modernized for clarity) [5]:

So shoot, archers, for my own good (da-da-DUM DUM DUM DUM-da-da)

Flee and leave sharp arrows (da-da-DUM DUM DUM-da)

Minstrel, play warison

And there are also quit

Alternate lines of four feet in lines of three feet. Hence the name.

I spent so much time oniambs, that you've probably forgotten the category: two-syllable (duple) feet. We'll move one now, but I'll take one more opportunity to say that the importance of the iamb can't be overemphasized. Unless you're writing poetry in a language other than English (of course iambs also turn up in Italian, German...) and/or you're recreating a poetic style from a period earlier than the 14th century, you should be working in iambs most of the time, if not exclusively.

Trochee: one stressed syllable followed by one unstressed syllable, like "daily" or "quiet." Interestingly, the fashion of rhyming poetry seems to have gone hand-in-hand with a shift in preference for iambic over trochaic meter. This makes a good deal of sense, since trochaic feet leave an unstressed syllable at the end of the line, and a rhyme of an unstressed syllable makes far less impact on the ear than a rhyme of a stressed syllable. Anglo-Saxon and Norse poetry, though it was often irregular in its placement of unstressed syllables, frequently started a line with a stress and ended a line with a trochee:

Many men are singing (singing, DUM-da)

Making songs to Odin (Odin, DUM-da)

Or in the mother tongue, as these lines by 10th century Norwegian skald Eyvindr Finsson skaldaspillir [6]:

Barum Ullr of alla

imunlauks a hauka

fjollum Fyrisvalla

frae Hakunar aevi

I'm assuming you can figure out that is a trochee (think "Allah"), DUM-da. Since the hallmarks of Anglo-Saxon and Norse verse have little to do with fixed-foot meter, they're outside the scope of this article, but it's helpful to know that if you want to start writing them, you're better off thinking in trochees than iambs.

Spondee: two stressed syllables, like "daybreak" or "ballpark." This is another foot that you'll find thrown into a line of iambic or trochaic verse for emphasis. Like monosyllabic feet, your listeners would feel like they were being shouted at if you kept it up too long, but again, you'll find them often in Anglo-Saxon and Norse verse as kennings, or compound words used to poetically replace another word, like "swan-road" for ocean or "corpse-beer" for blood.

Pyrrhic: two unstressed syllables, for which I can't think of a single-word example. ("Monopoly" can be thought of as an iamb followed by a pyrrhic foot.) As a pyrrhic battle is one with no winner, a pyrrhic foot is one with no stress. Pyrrhic feet are not uncommon in forms of poetry (like Anglo-Saxon) whose lines are typically defined by number of stressed syllables rather than the absolute number of syllables; they also occur frequently with spondees in iambic or trochaic verse to control the number of stresses in a line.

Congratulations! You survived. Armed with a full knowledge of the duple meters, we can now assess the scansion of the worst poetry. Here are two lines of 12 syllables each:

The trouble with a rainy day lies mainly in

Knowing the time to use umbrellas and rain boots.

The trou- ble with a rai- ny day lies main- ly in

(iamb) (iamb) (iamb) (iamb) (spondee) (pyrrhic)

Know- ing the time to use um- brel- las and rain boots

(trochee) (iamb) (iamb) (iamb) (pyrrhic) (spondee)

That's six stressed and six unstressed syllables per line, and seven out of twelve are iambs, so you'd have to call this iambic hexameter, but it doesn't sound like poetry, does it? That's the bad scansion caused by varying the feet without good reason (unless you want to call attention to the rain boots). What happens if we set foot this strange?

The problem with a day of rain is very clear: To know when your roof should look (OK, they rhyme and what can I say, I am a High Flyer ..) Now is the unbroken rhythm. Sing. It seems that poetry (poetry inane, but we're not talking about content for the moment). Yes, I left my boots. Sometimes to keep the rhythm of the piece, it is necessarydifficult decisions, but that makes poetry different from prose. The pattern must come first. If you prefer boots, ditch the shield:

The problem with a rainy day, no one refute: To know the time when you should wear rubber boots

Notice how it changes "rain boots" to "Wellies" got rid of that ugly spondee (the milk-white horse thing again). At first you may need to sacrifice content in order to protect the instrument, but as you get better, you will learn to work insay what you want and have a piece that tries.

Hold onto your hat! Now is the time to enjoy half as much. Lines of trisyllabic feet are together called, you guessed it, "triple time." A number of dual pentameter has ten syllables and have a series of triple pentameter ... We must not always the same hands! On the right, 3x5 = 15, is that fifteen syllables. Here are trisyllabic feet want to know, then ...

Dactyl, a stressed syllable followed by twounstressed syllables, like "yesterday", "Lavender" and terrible (see below), "anapest". All in waltz or 3 / 4, is in dactylic meter. Often used to evoke the feeling of a galloping horse. Dactyls were to be rampant in the greek epic poem, in fact, dactylic hexameter as "heroic meter" known for its use in the Greek epics.

Anapest: two unstressed syllables followed by a stressed syllable, as in "voluntary" "fun" E. Unfortunately the word "anapest" not one, there is aDattilo. This is another galloping horse's feet, is also popular in Chanteys sea. "A visit from St. Nicholas" by Clement Clark Moore ("It was the night before Christmas ...") was written in tetrameter anapestic, like most of the books of Dr. Seuss.

Amphibrach: two unstressed syllables with each syllable as "pajamas" and "tomato" is underlined. The longest lines are trimeter amphibrachic limerick: "There was a young lady of Niger ..." Amphibrachs were in Latin and usedGreek verse.

There are other trisyllabic feet, and even tetra-syllable feet, but unless you investigate the classical languages ​​and dead, you're probably never run on it. Why have Latin and greek a different concept of stress as the modern English, they needed many more types of feet. Believe me when I say I do not. If you can acquire a knowledge of working in the few presented here and train your ear, stick it in his letter, the tools toYou write a wide range of poetry. Good poetry.

"Oh, no, you said that it would be a test !!!!!!!!!"

Here are some examples to test their skills. Try changing the line in units of two (or three) syllables, and adjust the device with the descriptions of each foot, and the number of feet per line on the chart on page 3 Here's a tip: count the number of stressed syllables, and both are dimeters iambic trimeter anapestic six syllables, but the line will have three iambic stress (for aFeet) and the line anapestic will consist of two (one for each foot). Yes, and monosyllabic caliber spondaic dimeter both have two voltages. Hey, if it were easy, it would always do! The answers appear after the bibliography.

1 On the back of the box is the hexameter A. Price monosyllabic

2 Amazing Grace, how sweet the sound! B. trochaic pentameter

3 Something Wicked This closer, C. trimeters anapestic

4 Fight! Fight! Fight! Drink! Drink! Drink! D. dactylicTetrameter

He saw blades 5 iambic trimeters E.

6 I went to the bank and withdrew my deposit. F. trochaic tetrameter

Favorite 7, follow me with tenderness, love iambic pentameter G.

8 And now the end is near, and I'm just spondaic dimeter H.

9 Nonsense! I. anapestic tetrameter

10 Wendy went fairly quickly with Peter J. iambic tetrameter

11 It 'a sad situation when lovers will cool gauge dactylic K.

Before 12Queen he knelt L. amphibrachic tetrameter

Bibliography

[1] Langland, William, "The Vision of Piers Plowman," Prologue, WWW: Electronic Text Center, University of Virginia, 2005.

[2] Chaucer, Geoffrey, and Nevill Coghill (Translator), The Canterbury Tales, Penguin Classics, New York, 2003.

[3] Many Middle English words ending in were initially pronounced as two syllables, like 'old' and 'time', but eventually the terminal became silent or dropped off and the pronunciation became modernized. This often makes it difficult to go back to Chaucer and count syllables in a line, but trust me, there are 10.

[4] Bodleian Library MSS. Selden, B 26, "The Song of Agincourt", 15th c.

[5] British Library, Cotton MS Cleopatra, C.iv, ca. 1550.

[6] "The Prose Edda in Old Icelandic," Skaldskaparmal, XLIII, part 2, WWW: Heithin Text Archive, 2005.

Perrine, Laurence. Sound and Sense, An Introduction to Poetry (4th edition). New York: Harcourt Brace Jovanovich, 1973.

Preminger, Alex, editor. Encyclopedia of Poetry and Poetics. Princeton: Princeton University Press, 1965.

Answers: 1-C, 2-J, 3-F, 4-A, 5-H, 6-L, 7-D, 8-G, 9-K, 10-B, 11-I, 12-E.

Best Foot Forward - Fixed Poetic Meters in the Renaissance Age

Vapamore Steam Cleaner Save You Money! Cropped Hoodie Sale

Bestsellers control Makita Dual Slide Mitre Saw with Laser and Stand

!±8± Bestsellers control Makita Dual Slide Mitre Saw with Laser and Stand

Click here for up to 49% OFF: www.amazon.com The Makita LS1216LX LS1216L combines the 12 "miter saw double scroll and the largest cross and the crown cutting capacity in its class with the convenience and mobility of Makita miter saw stand construction.

Bestsellers control Makita Dual Slide Mitre Saw with Laser and Stand

Save Moose Plows For Atv Alvarez Rf8 Discount

!±8± DEWALT DW716 15 Amp 12-Inch Double-Bevel Compound Miter Saw

Brand : DEWALT | Rate : | Price : $335.99
Post Date : Oct 02, 2011 22:51:04 | Usually ships in 1-2 business days

DEWALT DW716 15 Amp 12-Inch Double-Bevel Compound Miter Saw

• 15.0 Amp, 3,600 rpm motor delivers extended power and durability
• Adjustable stainless steel miter detent plate with 11 positive stops Improves productivity and ensures cutting accuracy
• Precise miter system and machined base fence support optimize cutting accuracy
• Tall sliding fences support crown molding up to 6-5/8-inch nested and base molding up to 6-1/2-inch vertically against the fence while easily sliding out of the way for bevel cuts
• Innovative gearbox and belt-drive design increases vertical cutting capacity

More Specification..!!

DEWALT DW716 15 Amp 12-Inch Double-Bevel Compound Miter Saw

Vapamore Steam Cleaner Save You Money! National Security Safes Free Shipping Digital Pianos Roland Discount

Mitre - Choose a model with 12-inch and 10 inch

!±8± Mitre - Choose a model with 12-inch and 10 inch

When a miter saw is needed, there are many possibilities ranging from 7 1 / 2 inches to 12 inches. The 7 1 / 2 to 8 January models / 2 inch are generally purchased for very special work of a craftsman and not used as general-purpose machines because of their size. The fight itself is formed when a choice must be made between the models 10-inch and 12 inch. These two variables are the stars of the cutting-off the market and producers to pull out all the stops to promote these special models.So, if we buy, we have to choose between the cheaper 10-inch model and the most expensive 12-inch model.

In general, manufacturers are bells and whistles of their two 10-inch and 12 inch models, so the choice is there on some basic factors that we analyze.

The terms of 10 inches and 12 inches, refers to the diameter of the blade in the machine. A sliding miter saw has a decisive advantage over their less glamorous familiesslip sliding miter saws have a model in much greater length.

A saw with a 12-inch blade has the ability, thicker than the pieces cut from 10 inch model. For industry, the size has thick pieces, the extra 2 inches on the blade makes the 12-inch model on the site is essential.

On the contrary, it is most of the artisans and weekend-warrior, a 10-inch saw almost all projects have been completed as the experience is designed for 2x4Frame, large picture frame molding, crown molding and weekend jobs decking. The additional $ 250 for a 12-inch sliding miter saw is designed for hard-to-it-yourselfers and weekend warriors to justify.

When deciding which model to buy Saw you also have the weight of the instrument. A 12-inch sliding miter saw is quite heavy compared to a 10-inch and, if the instrument can be moved frequently, can be very frustrating and dangerous to move a tool from point to point on a work surfacesite. The size of the blade adds a higher replacement cost as a 12-inch blades are more expensive and although the sharp blade with teeth on the additional 12-inch blades are available at an extra cost.

It 'good to remember that even if a job is best suited to look along the lines of a 12-inch, most of us a portable table saw, do not you also have sections with appropriate equipment. A cross section of a table saw mask is very easy to build in 15 minutes and reduces the solutionExtra money for the purchase of other critical tools.

Enough in the final analysis, a 10-inch miter saw is to meet the needs of weekend warriors and artisans. Advanced Craftsmen However, the 12-inch sliding miter In addition, as a solid look at his toolbox, although it already has a 10-inch model, only the increased volume of work is based on a daily basis to do and the size The field, which may be involved.

Mitre - Choose a model with 12-inch and 10 inch

Yamaha Dgx620 Fast Bali Keen Sandals Get It Now!

TOP 10 Best Buy in 2011, Mitre

!±8± TOP 10 Best Buy in 2011, Mitre

TOP 10 Best Buy Mitre in 2011 1 C10FCH2 Hitachi 10 inch miter saw with laser second www.amazon.com Hitachi 10-inch trim saw DW715 DEWALT C10FCE2 www.amazon.com third 15-Amp 12-inch cut-off saw www . DEWALT DW716 15 Amp amazon.com fourth 12-inch double-bevel sliding compound miter saw Makita LS1216L www.amazon.com fifth 12-inch dual-slide miter saw Makita LS1040 www.amazon.com sixth 10-inch saw to cut www.amazon . GCM12SD with Bosch 120-Volt 7 12-inch miter saw DB Glide www.amazon.com8 LS1016L Makita 10-inch dual-slide miter saw with laser 9 www.amazon.com Milwaukee 6955-20 12-inch dual-bevel miter saw with the DEWALT DW712 10 digital tuner www.amazon.com 8-1/2-Inch single bevel compound miter Sliding saw www.amazon.com

TOP 10 Best Buy in 2011, Mitre

Millet Scopes Coupon Brand New Kitchenaid Ice Maker Fender Affinity Strat Review

DEWALT miter Analysis Pt 1

!±8± DEWALT miter Analysis Pt 1

A part of the review of DEWALT DW718 12-inch dual-bevel miter saw sliding, invited to send the second part to some other use.

DEWALT miter Analysis Pt 1

Aquarite Chlorine Fast

DEWALT DWS780 12-Inch Double Bevel Sliding Compound Miter Saw

!±8± DEWALT DWS780 12-Inch Double Bevel Sliding Compound Miter Saw

Brand : DEWALT | Rate : | Price : $559.00
Post Date : Sep 23, 2011 10:15:26 | Usually ships in 1-2 business days

Includes 12-in Double Bevel Sliding Compound Miter Saw - DWS780, Carbide Blade, Blade Wrench, Dust Bag, Vertical Material Clamp

• Integrated XPS cross cut positioning system provides adjustment free cut line indication for better accuracy and visibility
• Powerful 15 Amp, 3,800 rpm motor delivers extended power and durability
• Exclusive Back Fence Design cuts up to 2x16 dimensional lumber at 90-degree and 2x12 at 45-degree
• Adjustable stainless steel miter detent plate with 10 positive stops improves productivity and ensures cutting accuracy
• Super efficient dust collection system captures over 75-percent of dust generated

Casio Privia Coupon Comparison Coffee Aroma